The PCM samples contained the attack transients, while the rest of the sound came from the Linear Arithmatic Synth (LAS) section which sounds very analog, with subtractive-style synthesis and low-pass-resonant filters. ![]() By joining 8-bit PCM samples with “LAS” synth-generated sounds, the D-50 is capable of unique and complex sounds. Once Roland’s hottest digital synth, it competed against the Yamaha DX7, and was much easier to use. The D-50 is an all-time favorite digital synth that’s still just as popular today as when it first came out in ’87.
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